Search results for "Interior gambrel roof" in Home Design Ideas
Sand Creek Post & Beam
Sand Creek Post & Beam Traditional Wood Barns and Barn Homes
Learn more & request a free catalog: www.sandcreekpostandbeam.com
Example of a small mountain style living room design in Other
Example of a small mountain style living room design in Other
Albert, Righter & Tittmann Architects, Inc.
River Point is a new house that incorporates a row of picturesquely disheveled old sheds and barns into a connected whole. The aim is to play up the idea of organic growth over time, without jarring contrasts between old and new buildings. The sheds set the stage, one of them acting as a gate lodge that you go through to get to the house.
The language and materials of the house are compatible with but distinct from the sheds. The gambrel roof of the house sweeps out at the eaves in a graceful curve to broad overhangs that shelter generous windows. A stair tower with expressive, exaggerated roof brackets also signals that the new house isn’t an old farm building.
Photography by Robert Brewster
Kevin Browne Architecture
Jack Michaud Photography
Example of a large beach style brown two-story wood exterior home design in Portland Maine with a gambrel roof
Example of a large beach style brown two-story wood exterior home design in Portland Maine with a gambrel roof
Find the right local pro for your project
Kristi Spouse Interiors
The Gambrel Roof Home is a dutch colonial design with inspiration from the East Coast. Designed from the ground up by our team - working closely with architect and builder, we created a classic American home with fantastic street appeal
Studio M Interior Design
Daniel Newcomb
Example of an island style blue exterior home design in Tampa
Example of an island style blue exterior home design in Tampa
Lizzie O'Brien Interior Design
Builder: CMM Custom Homes
Photography: Sean Litchfield
Architect: Melillo Architecture
Victorian yellow three-story wood house exterior idea in New York with a gambrel roof and a shingle roof
Victorian yellow three-story wood house exterior idea in New York with a gambrel roof and a shingle roof
Imperfect Interiors
Chris Snook
Transitional gray floor eat-in kitchen photo in London with shaker cabinets, solid surface countertops, an island, gray cabinets and white countertops
Transitional gray floor eat-in kitchen photo in London with shaker cabinets, solid surface countertops, an island, gray cabinets and white countertops
J Design Group - Interior Designers Miami - Modern
Modern - Contemporary Interior Designs By J Design Group in Miami, Florida.
Aventura Magazine selected one of our contemporary interior design projects and they said:
Shortly after Jennifer Corredor’s interior design clients bought a four-bedroom, three bath home last year, the couple suffered through a period of buyer’s remorse.
While they loved the Bay Harbor Islands location and the 4,000-square-foot, one-story home’s potential for beauty and ample entertaining space, they felt the living and dining areas were too restricted and looked very small. They feared they had bought the wrong house. “My clients thought the brown wall separating these spaces from the kitchen created a somber mood and darkness, and they were unhappy after they had bought the house,” says Corredor of the J. Design Group in Coral Gables. “So we decided to renovate and tear down the wall to make a galley kitchen.” Mathy Garcia Chesnick, a sales director with Cervera Real Estate, and husband Andrew Chesnick, an executive for the new Porsche Design Tower residential project in Sunny Isles, liked the idea of incorporating the kitchen area into the living and dining spaces. Since they have two young children, the couple felt those areas were too narrow for easy, open living. At first, Corredor was afraid a structural beam could get in the way and impede the restoration process. But after doing research, she learned that problem did not exist, and there was nothing to hinder the project from moving forward. So she collapsed the wall to create one large kitchen, living and dining space. Then she changed the flooring, using 36x36-inch light slabs of gold Bianco marble, replacing the wood that had been there before. This process also enlarged the look of the space, giving it lightness, brightness and zoom. “By eliminating the wall and adding the marble we amplified the new and expanded public area,” says Corredor, who is known for optimizing space in creative ways. “And I used sheer white window treatments which further opened things up creating an airy, balmy space. The transformation is astonishing! It looks like a different place.” Part of that transformation included stripping the “awful” brown kitchen cabinets and replacing them with clean-lined, white ones from Italy. She also added a functional island and mint chocolate granite countertops. At one end of the kitchen space, Corredor designed dark wood shelving where Mathy displays her collection of cookbooks. “Mathy cooks a great deal, and they entertain on a regular basis,” says Corredor. “The island we created is where she likes to serve the kids breakfast and have family members gather. And when they have a dinner party, everyone can mill in and out of the kitchen-galley, dining and living areas while able to see everything going on around them. It looks and functions so much better.” Corredor extended the Bianco marble flooring to other open areas of the house, nearly everywhere except for the bedrooms. She also changed the powder room, which is annexed to the kitchen. She applied white linear glass on the walls and added a new white square sink by Hastings. Clean and fresh, the room is reminiscent of a little jewel box. I n the living room, Corredor designed a showpiece wall unit of exotic cherry wood with an aqua center to bring back some warmth that modernizing naturally strips away. The designer also changed the room’s lighting, introducing a new system that eschews a switch. Instead, it works by remote and also dims to create various moods for different social engagements. “The lighting is wonderful and enhances everything else we have done in these open spaces,” says Corredor. T he dining room overlooks the pool and yard, with large, floorto- ceiling window brings the outdoors inside. A chandelier above the dining table is another expression of openness, like the lens of a person’s eyeglasses. “We wanted this unusual piece because its sort of translucence takes you outside without ever moving from the room,” explains Corredor. “The family members love seeing the yard and pool from the living and dining space. It’s also great for entertaining friends and business associates. They can get a real feel for the subtropical elegance of Miami.” N earby, the front door was originally brown so she repainted it a sleek lacquered white. This bright consistency helps maintain a constant eye flow from one section of the open areas to another. Everything is visible in the new extended space and creates a bright and inviting atmosphere. “It was important to modernize and update the house without totally changing the character,” says Corredor. “We organized everything well and it turned out beautifully, just as we envisioned it.” While nothing on the home’s exterior was changed, Corredor worked her magic in the master bedroom by adding panels with a wavelike motif to again bring elements of the outside in. The room is austere and clean lined, elegant, peaceful and not cluttered with unnecessary furnishings. In the master bath, Corredor removed the existing cabinets and made another large cherry wood cabinet, this time with double sinks for husband and wife. She also added frosted green glass to give a spa-like aura to the spacious room. T hroughout the house are splashy canvases from Mathy’s personal art collection. She likes to add color to the decor through the art while the backdrops remain a soothing white. The end result is a divine, refined interior, light, bright and open. “The owners are thrilled, and we were able to complete the renovation in a few months,” says Corredor. “Everything turned out how it should be.”
J Design Group
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Oak Hill Architects
Roof Color: Weathered Wood
Siding Color: Benjamin Moore matched to C2 Paint's Wood Ash Color.
Inspiration for a large timeless backyard concrete paver patio remodel in Boston with no cover
Inspiration for a large timeless backyard concrete paver patio remodel in Boston with no cover
FINNE Architects
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Elsie Interiors
Designed by Sarah Nardi of Elsie Interior | Photography by Susan Gilmore
Powder room - traditional powder room idea in Minneapolis with an undermount sink, recessed-panel cabinets, black cabinets and white countertops
Powder room - traditional powder room idea in Minneapolis with an undermount sink, recessed-panel cabinets, black cabinets and white countertops
arketype architects inc
Interior & exterior renovation of an existing guest house that is nestled among mature oak trees. An exterior porch, all new finishes and changes in the floor plan were made to the small gambrel roofed structure, including the addition of a loft and spiral staircase. The interior & exterior spaces inspire the resident artist.
Photography by AJ Brown Imaging
Guy Ayers, Architect
Reverse Shed Eichler
This project is part tear-down, part remodel. The original L-shaped plan allowed the living/ dining/ kitchen wing to be completely re-built while retaining the shell of the bedroom wing virtually intact. The rebuilt entertainment wing was enlarged 50% and covered with a low-slope reverse-shed roof sloping from eleven to thirteen feet. The shed roof floats on a continuous glass clerestory with eight foot transom. Cantilevered steel frames support wood roof beams with eaves of up to ten feet. An interior glass clerestory separates the kitchen and livingroom for sound control. A wall-to-wall skylight illuminates the north wall of the kitchen/family room. New additions at the back of the house add several “sliding” wall planes, where interior walls continue past full-height windows to the exterior, complimenting the typical Eichler indoor-outdoor ceiling and floor planes. The existing bedroom wing has been re-configured on the interior, changing three small bedrooms into two larger ones, and adding a guest suite in part of the original garage. A previous den addition provided the perfect spot for a large master ensuite bath and walk-in closet. Natural materials predominate, with fir ceilings, limestone veneer fireplace walls, anigre veneer cabinets, fir sliding windows and interior doors, bamboo floors, and concrete patios and walks. Landscape design by Bernard Trainor: www.bernardtrainor.com (see “Concrete Jungle” in April 2014 edition of Dwell magazine). Microsoft Media Center installation of the Year, 2008: www.cybermanor.com/ultimate_install.html (automated shades, radiant heating system, and lights, as well as security & sound).
FINNE Architects
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
O’Hara Interiors
Martha O'Hara Interiors, Interior Design & Photo Styling | John Kraemer & Sons, Remodel | Troy Thies, Photography
Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.
Jordan Rosenberg Architect
Private residence - Shingle Style
Inspiration for a mid-sized victorian two-story wood exterior home remodel in New York with a gambrel roof
Inspiration for a mid-sized victorian two-story wood exterior home remodel in New York with a gambrel roof
CLB Architects
The Peaks View residence is sited near Wilson, Wyoming, in a grassy meadow, adjacent to the Teton mountain range. The design solution for the project had to satisfy two conflicting goals: the finished project must fit seamlessly into a neighborhood with distinctly conservative design guidelines while satisfying the owners desire to create a unique home with roots in the modern idiom.
Within these constraints, the architect created an assemblage of building volumes to break down the scale of the 6,500 square foot program. A pair of two-story gabled structures present a traditional face to the neighborhood, while the single-story living pavilion, with its expansive shed roof, tilts up to recognize views and capture daylight for the primary living spaces. This trio of buildings wrap around a south-facing courtyard, a warm refuge for outdoor living during the short summer season in Wyoming. Broad overhangs, articulated in wood, taper to thin steel “brim” that protects the buildings from harsh western weather. The roof of the living pavilion extends to create a covered outdoor extension for the main living space. The cast-in-place concrete chimney and site walls anchor the composition of forms to the flat site. The exterior is clad primarily in cedar siding; two types were used to create pattern, texture and depth in the elevations.
While the building forms and exterior materials conform to the design guidelines and fit within the context of the neighborhood, the interiors depart to explore a well-lit, refined and warm character. Wood, plaster and a reductive approach to detailing and materials complete the interior expression. Display for a Kimono was deliberately incorporated into the entry sequence. Its influence on the interior can be seen in the delicate stair screen and the language for the millwork which is conceived as simple wood containers within spaces. Ample glazing provides excellent daylight and a connection to the site.
Photos: Matthew Millman
Showing Results for "Interior Gambrel Roof"
Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations
John Kraemer & Sons
Builder: John Kraemer & Sons | Architecture: Murphy & Co. Design | Interiors: Engler Studio | Photography: Corey Gaffer
Inspiration for a large coastal rooftop rooftop deck remodel in Minneapolis with no cover
Inspiration for a large coastal rooftop rooftop deck remodel in Minneapolis with no cover
Opal Enterprises, Inc.
This home was renovated by Opal Enterprises in Naperville, IL. The project included a complete exterior renovation with siding replacement, roof replacement, trim work, porch renovation, and finishing touches. The siding used was James Hardie fiber cement in Aged Pewter color. The front porch features board & batten and the rest of the home has plank lap siding. The gambrel style roof was completely redone with new GAF Timberline HD shingles in the Pewter Gray color.
Kristi Spouse Interiors
The Gambrel Roof Home is a dutch colonial design with inspiration from the East Coast. Designed from the ground up by our team - working closely with architect and builder, we created a classic American home with fantastic street appeal.
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